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Acting 101: For All of Us

Here’s what actors do, in one way or another.  Imaginatively, they work to enter the experience of a person, a character, imagining circumstances, beliefs, thought-life, sensory preferences, histories of relationships, and perhaps most importantly, what their particular characters are hungry for, long for, and have been living without.   They then shift their physical and emotional lives to somehow begin to interact with other players to present a story of what it means to be human in a very particular place with very particular cultural, historical, and personal factors in play.  (Note: Imaginative, sensory detail is important.  Where does the character’s particular hunger land in their body?)

One of the cardinal rules of acting is that you cannot judge your character and hope to enter into their hearts and minds.   Be it a murderer, a savior, a lover, or a hated foe, to judge the other as an actor is to kill the process of entering in.    People judge from the outside.   When you’re inside the head of the character, none of that judgment can be going on, because it’s not going in their heads.   Get it?   Whenever you watch an actor that somehow isn’t quite succeeding in disappearing into the character, one of the culprits to watch for is a position of judgment in the approach.

This is a process of play and of work.  It is imaginative, muscular work that takes time, energy, thought, research, conversation, experimentation, and failure.  We watch, we offer the work to others, we try to learn what we can about what it means to be human through these interactions.   Our work is to humanize the 2-D characters that lie on the writer’s page, enflesh them, give them voice, and hopefully, serve that character without judgment.

Will I play characters that are not like me?   Characters who hold opinions in politics and religion and sexuality and economics that differ from mine?   I hope so, or there won’t be much to do.

All of this is simply to suggest an exercise for all of us.   Especially if you’re not an actor, give this a shot.   Pick a person, a real human being (call them a character if you’d like) that sits on the opposite side of the fence from you on some piece of human living that you think is really important.   Perhaps it’s a person (in actor terms, a character) that you don’t like very much, that you’d shout down if you could, or maybe it’s someone you fear.  Pretend you got cast as that person, and now it’s your job to get inside their head, without judgment, to grasp what their hearts are like.   Where they came from, what they’re up to, what they see as important and necessary.    Where do their disappointments lie?   What are their heartbreaks?   What is the shape of their human brokenness?  What makes them laugh?   And what do they long for?   What do they want?

If you’re really gutsy, you’ll realize the only way to actually find any of this out is to move beyond your imagination and actually go ask them.   Befriend them, get to know them, differences and all.   Of course, the actor’s work is not try to change their characters.  The characters are what they are.   We will only understand them or not, enter in fully or not, offer our bodies as places for their stories to live or not, and finally, love them or not.

That’s all.

Let’s say you get all this good information about the character.   What’s the next step?   What’s the next piece of the work?  (You’re going to like this.)   Now your job is to figure out where all the deep, soulful things you found out about the other lie in you.   Because the work of the actor is not to find how the character differs from them, but to find where the places of intersection are.  How are we alike?   The assumption is this; all the soulful things that make one person unique are somehow also located in me, and all possibilities lie within us all.

Maybe call this the deep drilling into the old phrase, “There, but for the grace of God, go I.”

We are all the other.

Humanizing, isn’t it?

To restate the exercise: Be an actor.  Lay down your opinions for a minute and try to imaginatively enter the experience of those you oppose.  Your convictions may not change (changing anyone’s convictions is not the point), but I’m guessing the tone of voice, rhetoric, and conversation might.

And then, who knows what the possibilities might be.

All the world’s a stage…

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Filed under Acting, art, Faith and Art, Ideas, Spirituality, Theatre, Uncategorized

Thriving and the Now Factor

I was thinking about “thriving” on my way home from the gym yesterday, wondering about how to even begin talking about it.  What in the world is thriving?   The dictionary says this: “to grow or develop well or vigorously.”   That resonates, mostly because of my recent adaptation of the word “grow”, exchanging it for the words “change” and “transformation.”  (But that’s another blog post.)  Okay, to grow, I thought, but the notion of life’s hardness kept raising its head, that war (of art, of life, of spirituality)  that St. Paul and Stephen Pressfield remind us of.

What is human thriving anyway?

On the Christian side of things, the two great commandments are the primary orientation:  Love the Lord Your God with all your heart, soul, mind, and strength.  Love you neighbor as yourself.   Christ said not to worry too much about the bottom layer of Maslow’s hierarchy of needs triangle, that God would come through with all that stuff if we just chased after his kingdom first.  And the study of what many Christians might call “Kingdom living” is a massive study in itself, and the faith is, that following along behind the Christ, acting as he did for his reasons, is the foundation of human thriving.

On the psychological and sociological side, lots of study continues about just what it is that makes human being and personhood, and what thriving means.  Back to Maslow’s hierarchy…looking at that triangle again, it looks pretty solid.   Survival is need, safety, love and belonging, esteem, and that famous “self-actualization.”   I also love the list of “capacities” of the human person found in Christian Smith’s What is a Person?  (Existence capacities, Primary and Secondary Experience capacities, Creating capacities, and what he calls Highest Order capacities.)   Thriving in that world would seem to be the growth and “vigorous development” of these various capacities according to our “core gifts”, which is another idea I encountered somewhere on the web yesterday.

Well, truth is, I don’t know that I know just what thriving is, but yesterday, on that drive home, somewhere on 5th Avenue between Northgate and NE 80th, the word “now” presented itself, and it occurred to me that the possibility of thriving inevitably presents itself not in the past or the future, but in the present.   In the now.  This very now.

This one.

Lots of spiritual writing these days focuses on the idea of “Mindfulness” and “Presence.”   (“Presence” is another big word for me, but more about that later, too.)   The past is gone.  Strange to say it, but the river from yesterday has moved on.  Memory and remembrance is so vital for living, but it’s easy to get lost in images of memory that may or may not be all that accurate anyway.  And who knows why our minds are so fond of the destroying memories, the ones where we failed, were humiliated, were lost, confused, abused, and made to feel so much less valuable than we are.   Our brains seem to be bent that way, and it takes grit and vigilance and a strong faith in God and grace (or something far bigger than that gnarly, negative brain) “to grow and vigorously develop” in the face of the onslaught of memory.

And the future…it’s coming, sure enough.  But very little of what I project into it has anything to do with reality.   My best shot and growing and developing vigorously is to take on what’s in front of me.   This moment, choose to act in faith.   This moment, choose to push back the dark.  This moment, choose to follow-through, keep the promise, make the best start I know how to, finish with the best “kick” I’ve got, and in this moment, do what I know to pour courage into those next to me in this now.   This moment, take the plank out, pray the secret prayer, seek the next step in kingdom life.   This moment, serve.  This moment, walk.  This moment, make some beauty.

Every now matters.  Every now is a chance.   Every now is dense with life waiting to be lived.

Now…

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Filed under Daily Life, Faith and Art, Spirituality, Uncategorized, Writing

World Building

By Jonathan Harris

Jonathan Harris is an artist I just came across last night, but already, there’s something about what he’s up to that appeals to me.   Go to his website to explore.   He begins with a clear statement of vision, and then you go to a page with descriptions of his work.   He is working in the space where humans touch technology, and his basic thought is that somehow, technology isn’t necessarily helping us become more human.  As a believer in technology, Harris is doing some pretty amazing things with the grammar and syntax of what technology can do in story-telling and expression.

The piece I came across last night is called World Building in a Crazy World.   The title appealed to me immediately, because when it comes down to it, that’s what I think we’re here for.   To create and make worlds in light of God’s ongoing making, in an amazing partnership between humanity and divinity.    The first piece of this work is called “Baz” in which Harris recounts two stories about his fourth grade teacher.   The gist of what emerges from these stories is to bring all of yourself to the work everyday, and to stop thinking you have the answers to the big questions, especially if that pride is bleeding into what you’re trying to do as a playwright.

As I read that story, I knew I needed to sit up and pay attention.   Baz had told Harris that he’d wept one day over his realization that his disappointment with the plays he was writing stemmed from his desire to impress his audiences with big answers to big questions.  He decided to own the fact that he didn’t know the big answers, and concentrated on asking the right questions, and inviting the audience into the answering.

I suppose it helped me because all around me I see big questions.  The Civil War (inspiration for current project) is a huge question, and there are times when I get glimpses of answers that I want to tell everyone.  Pride is insidious.

Go read World Building In A Crazy World.  It will take you about 15-20 minutes.   You’ll hear a call to humanize the digital world, a call to make those worlds beautiful, and a few pointers (one I found sort of life-saving) about how to find a place to put your feet down in a world of constant, overwhelming flux.

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Filed under art, Beauty, Great Stories, Ideas, Photography, Spirituality, Technology, Uncategorized

Catching a Glimpse of the World

Have you seen One Day On Earth?  On October 10, 2010, people from all over the world shot video and have been in the process of uploading those videos ever since.   Click on the archive, and see a map of the world with links to tons of snapshot videos of all kinds of things.  From the South Pole to Australia to Washington State, people are going about their lives, and with One Day on Earth, you can have a glimpse of all that’s going on on a typical day.   If you have video of your own life from that day, upload it and be a part of the project.  A feature film is due out that looks to be pretty amazing The next “one day on Earth” happens on 11.11.2011.

The video above is from Global Tribe, a missions organization.  I came across the video at Creative Visions Foundation, an organization supporting creative activisits who are using media to “inform, inspire, and empower.”   As I watched the piece, the sense of the growing connectivity around the planet became palpable.  The impression is that everywhere you turn these days, people are reaching out to people, all around the world.  And yes, there are wars and atrocities and Congresses who can’t get their act together, but still, you can’t help but be excited about the good things people are up to these days.

My primary reaction is one of awe and amazement.   “Vast” is a word that comes to mind constantly, as does “limitations” and “finite.”   The tension between vast and limitations is simple that of the frame.   The greatest works of art that carry us into universal meaning all travel through some framing device that both limits and frees, and it’s only through local culture and particular acts that the human connection is made.   As frustrating as some days can be, the experience of being human in this time has possibilities that we have only just begun to touch.

Worship is the first response…then, creation…

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Wondering about the Promised Land: The Conversation on Racial Reconciliation

I’m white, middle-aged, male, Texan, and have lived in the Pacific Northwest for a combined total of 20 years.  I’m a follower of Christ.  I’m artistic, heterosexual, contemplative, English-speaking, have an IQ of whatever, and have decent emotional intelligence although my mind tends to go chaotic when I get in heated battles.   And in saying all that about me, what have I really said that strikes at the heart of what people who know me mean when they say, “I know Jeff?”

Each category in the list above (and I could easily stretch the list out another 100 words) has something deep to do with what I’ll simply call my Jeff-ness.   And whoever “the other” is, he or she too is made up of –nesses of all kinds: skin color, age, gender, culture, geography, beliefs, values, sexuality, spirituality, language, intelligence, emotional intelligence…make your own list.   But in using any one descriptor to describe “the other”, deep though they may be, what have you really said that is of much use in the colossal struggle to right what’s wrong about human interaction?

I read in a book about Jungian archetypes that while categorical thinking about personality has truth in it (there are common things to know about us old white guys), nobody really fits any of the categories.   Nor does anybody want to.  Why? Because we deny we have these truths about us?  No, because we don’t want to be reduced to a stereotype.

We are our selves.   We are different.  And we are human, which, ironically, is a like-ness that makes talking about difference both possible and meaningful.

We human beings have trouble with each other.  And the trouble we have with each other is in no way pretend; it is real, functional, practical, and costly.   It is historical, and it is now.   New scars are created every hour, via glances, words, injustices, slights, and ignorant we-didn’t-know-any-betters.   Fights break out, people go to jail, lose homes, destroy businesses and marriages, and yes, folks get killed, even to the tune of genocide.  The culprits are fear, greed (monstrous greed), selfishness, and (here’s the hard one) competing ideas of what words actually mean, and what actions represent those words.

At a Taproot Theatre community event last night, the conversation on race in Seattle (“Do we have a race problem here?”) was enlightening, awkward, and inspiring.   It was made of both stories and ideas, which are not always the same thing.  One assumption (and it’s a good one, I think) driving the conversation is that “your personal story” is the only real access a person has to the conversation.   Speak from your experience (as if you had anything else to speak from) is the mantra, and listen to the story of “the other.”  “Respect” and “love” are the goals, story-telling the means to get there, and listening seems to be the skill we could all use some instruction in.

I had some overt racism in my extended family growing up; it was overt enough that I instinctively knew something was wrong with it.  I’ve been accused of being clueless about the larger world, but in my Texas elementary school, junior high, and high school, I had friends of all stripes, and just didn’t think about it.   But looking back, I can see clearly the advantage of institutional white privilege at work, and to not acknowledge that strikes me as little more than burying my head in the sand.   We are always in a historical moment, and it is into this moment, by God’s grace or by his humor, with all its racial craziness, sin, and need, that we have been thrust.

Here’s the first question I’d like to put out there.   And I ask it because it’s so much easier to point out how we’re blowing it than it is to articulate what it would look like if we were getting it right.   (This is one of the reasons Martin Luther King’s “I Have a Dream” speech is so powerful and iconic.)  How do we articulate and describe our Promised Land?  Anybody ever seen such a place?  A place where justice, love, and respect were the rule and not the exception?

Here’s a little exercise: let’s say our culture is something like the situation God faced in Genesis 1.   Even if Genesis 1 is not your story, it’s still a good story by which to think about this.   “The earth was null and void” the old text says, and artists like to speak of this state of being as “chaos.”  And I like the phrase “…and darkness was on the face of the deep.” (Though in the racial conversation the classic metaphors of light and dark just sort of suck, you know?  But I haven’t really figured out how to escape them, because they actually refer to night and day, and to be without light is really not good.)  “…and darkness was on the face of the deep.”  A state of un-enlightenment, if you will.

With God’s Spirit hovering over the face of this “deep,” God said, “Let there be light.   And there was light.”

So we face a racial situation that’s got some null in it, some void in it, and some lack of light.  If it were up to you, and you knew that you could say, “Let there be _______ , and there would be _________ ” what would you speak into being in order to change our race-conflicted world?

And as your spirit hovered over the “deep”, your –ness said, “Let there be …

What?

One last thing: if we’re standing in a dark room, does anybody not know light when they see it?  

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Filed under Civil Rights, Politics, Spirituality, Uncategorized