Tag Archives: faith

On Living Longer Than Dad

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Jim Berryman

I have now lived ten days longer than my father.

As we flew to Hawaii on Friday, April 12, I was thoughtful of another date: July 23, 1988, was Jimmy Joe Berryman’s 19,707th day, and his last.

April 12, 2013 was Jeffrey William Berryman’s 19,707th day.  All that day, I reflected on the fact that my life’s length equaled that of Dad’s, who died just shy of his fifty-fourth birthday back when I was twenty-nine.  Acute leukemia killed him one month and three days before Amy was born.

This is the question I kept asking myself out over the Pacific Ocean: what should I make of this period of time neither my father nor his father got?

Anjie and I have been talking about the future a lot lately.  Our lives have changed in recent years.  Though we remain strongly connected to our children, they’ve each gone off and begun the process of doing just what we wanted them to do, which was to build solid, independent lives built on foundations of faith, dreams, perseverance, and service.  “The kids are gone and the pets are dead”—we once heard that was the true definition of freedom—and as thankful as we are for our lives thus far, we have grown a bit restless, agreeing together that we need to make new patterns of meaning, behavior, rhythm, and service.

So we’re in the process of praying, thinking, talking, and dreaming just like we did years ago, and though we’re both in the middle of jobs and projects well in motion, we’re trying again to discern the larger picture, and get a sense of which way the wind might be blowing for us over the next 15-20 years, assuming (knowing that it might not be true) that God’s going to grant us this next period of time.   We often say—with a twinkle in our eyes—our lives are just barely half over.  True or not, that’s the way we’re approaching the conversation.

For those of you who know me, you’ve noticed by now that I haven’t said much lately, via blogs, Facebook and Twitter posts, or in performance.  Frankly, there is much to talk about with me, and I hardly know where to begin.   The writing’s been as warful as implied in Pressfield’s The War of Art, and there are days when it’s pretty damn discouraging.   Regrets related to some professional decisions early in my career have been having a field day in the back of my mind as I struggle to make my script work, and the mistakes I’ve made relationally with many old friends creep into play as well.  But back of all that is a growing and changing understanding of life and—most importantly—faith.

In the coming days, I’m going to be blogging a bit more. (“Yeah, we’ve heard that before.”)   How much more is hard to say.   I think about the following things a lot: the meaning and practice of love; racism; playwriting; church; poverty and wealth; theatre; the role of criticism in the theatre; the making of meaning; water (those who have it and those who don’t); injustice’s root causes and the various battles groups engage in to define it and fight it; Christ; art; Islam (I am ¼ of the way through the Quran); the stories we tell ourselves; LGBT issues; the nature and essence of religious experience; brain science; imagination; creation; current events (Boston, the new pope, the theatre I see, pop culture); the list goes on.  Plainly, focus is a problem.

The difficulty of knowing lies at the heart of my journey.   I’ve blogged about that before, and so it’s old news.   But for whatever reason, complexity will not yield in my thinking, and I am reluctant to launch into the sound-byte infested waters, but reluctance can one day give way to cowardice, and with so much at stake in this life of ours, silence does not serve.

It would not be false to say that I come with uneasy voice and a quivering membrane of a spirit as I begin to talk again about my questions and the particular shape of my changing understanding.

I hope you decide to follow along.

And now, back to the question:  what should I make of this period of time neither my father nor his father got?

Something beautiful…

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Filed under Blogging, Daily Life, Writing

On Forgetting Your Lines…

The opening night audience, all a-flutter with anticipation, arrives at what is known as the summation scene of a mystery thriller, the famous detective having cleverly solved what was heretofore a thorny puzzle.    He meticulously lays out the clues and their natural conclusion, the culprit is apprehended, and lights come up, and everyone goes home happy and satisfied with the comedy, the drama, and the romance.

Unless of the course, the actor playing the famous detective short-circuits, and has an experience we call in the theatre, “going up.”   Which, in more common language, means he forgets his lines.

Truth is, this sort of thing is fairly common in the theatre.   You know what you’re doing, and suddenly, you don’t.  The audience may or may not be able to tell that you’re struggling, but your fellow actors know, and for a few brief seconds that seem like a few long years, your mind is a white-out, and you are falling through an abyss that is the heart of the actor’s nightmare.

I had a couple of these moments over the opening weekend of Taproot Theatre’s Gaudy Night, and I suspect it’s not all that proper to talk about these things in public, but the experience of that kind of terror (too strong a word here, but not far from it) has spiritual and ordinary life analogs that I think are worth considering.

I’ve heard a couple of accomplished people lately (a leading Broadway actor and I forget who the other one was) say that in truth, no one in the world knows much about what they’re doing—we’re all just winging it as best we can.    We’re making it up as we go, and as we have all experienced, the thin veneer of confident presentation can suddenly come apart, it’s sickening disappearance amazingly swift.   A credit card doesn’t clear and we’re standing in the grocery line as everyone stares at the insolvent dude, humiliation pretty complete.   We sit on the freeway, car dead, backing up traffic for miles, suffering the withering stares of passing folks who used to be in a hurry.   Sexual performance short-circuits, critics call your writing bad names, a junior high audience of two-hundred popular kids from around the state of Texas bursts into loud catcalls of laughter when you begin to sing at show and tell, and you’re serious as all get-out (as we used to say in Texas.)  What do you do?  You wilt, you hide under a rock, you climb back into bed, you sing on to the end—by God, let ‘em laugh!

That last event (the laughing junior high crowd) was one of the epic experiences of my childhood, one that marked me more deeply than I care to admit.  Failure is confusing.  I’ve been in a couple of plays where I lost my lines so badly that there was really no escape.   Should we admit these things?  I don’t know, but it’s the truth…this is life.   We lose our lines.   We forget what play we’re in, what character we’re playing, and who the hell knows what action we’re supposed to be playing at the moment?   Our actor partners get bug-eyed, stammering, wanting to help, and they do in some way rescue you, but truth is, you will either get back on track or you won’t, and the play (or the job, or the marriage, or the education, or the poem) will live or die, and employment will go on or end, and either way, you’ll go home at the end of the night and decide how you will respond to this ongoing yawning reality that tomorrow will bring yet another opportunity to public embarrass yourself.

Welcome to risk.  Welcome to opportunity.  Welcome to what it means to be alive.  As my wise mentor/voice teacher/second mom told me years (I was about to get married, and the comment referred to the possibility of having a child sooner than later), “If you don’t want to play, don’t suit up.”

“If you don’t want to play, don’t suit up.”

Truth is, when I’m at the theatre as an audience member, I always enjoy the moments when actors get lost a bit, mostly because it immediately illuminates the difference between theatrical time, that magic state of mind where we travel imaginatively to where the play has us going, and actual time, where flesh and blood panic, and adrenaline rushes not because of anything fictional, but because suddenly, the very real human stakes of accomplishment and failure are laid bare, and now, something alive is happening, drama running all over the body, capturing in a heartbeat the human struggle we all face, every day.    It’s not good, it shouldn’t happen, we’re all professionals here, it’s a breaking of the contract with the audience.   But truth is, it happens, and we get back up and go on.

Or we don’t.

That impulse to stop, to lay down, to quit making, to quit risking, to quit giving, to quit putting yourself in the place where failure is not only possible, but likely…I get it.   Life is hell, sometimes.   It hurts.   It breaks our backs.    We get betrayed, or we betray, and desperate, we think we can’t go on.   Been there, done that, may go back to it someday.  Maybe today if the wind changes.

So yes, I forgot my lines.   There are reasons, but they don’t matter really.   And let’s not overdramatize.   Truth is, I got back on track, and we delivered the play.   Disaster avoided.   Mostly.   But when the lights go down, and you know you have another show in a few hours, here’s what you do.   You go to work, you do your damndest to make sure it doesn’t happen again.   And you take courage and comfort in the words of the actors around you, all of whom have been there, as they offer you grace and strength to go out and do it again.   And again.   And again.   And again.  And that night, you sweat bullets, and the words are there, every one of them.    And you thank God, and move on.

Go be a part of your life’s drama today.   Who knows what part of the play you’re in?  If you’re struggling with your lines, speak anyway.   Trust that they’ll come.   And if you see any fellow actors, those friends caught up in the intersection of your story with theirs, struggling with their lines, elevate the attention you’re paying, and hold them up.   The audience they’re playing for needs you to help them.

Those audiences may well be divine.

Speak the speech, I pray thee, trippingly on the tongue….

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Filed under Acting, art, Daily Life, Faith and Art, Theatre

Breakthrough

This morning, I wish I was a poet.

I’m sitting in the middle of an experience that’s hard to describe, and yet, it couldn’t be simpler.  To put it into words seems ridiculous.

It reminds me of the day my first child was born.

It’s trying to turn a key in a lock in a door for over 30 years, and suddenly there’s a click, and the doorknob is freed.

It’s realizing the full weight of your own foolishness, and shaking it off like an old, well-loved, but too long worn shirt.

It’s realizing that God knew exactly what He was up to when He made a human being.

It’s mystery begetting mystery, and being overwhelmed with gratitude that you don’t control much of anything.

It’s realizing that all the stuff you thought you were…you’re not.

It’s free-fall into freedom.

It’s realizing that like the Apostle John explained about the Christ (John’s Gospel, Chapter 13)…you come from God, and you’re on your way back.  What else in the world is there to do but serve?

It’s realizing that when God created humans “in his image”, he didn’t leave out the “I am” part.

It’s detachment, like I’ve read about for years, but in experience, is nothing like what I thought those writings meant.

It’s a future opening like a heretofore unseen flower, petals in colors and textures I’d didn’t know were possible.

It’s gut-laughter in the middle of the night, connected to the long ache that’s always been there, but that is just now eased into friendly hope.

It’s wondering if you’ve lost your mind, but the coherence is too clear and sharp, like bright stars in dark, cold, midnight country sky.

It’s just an idea, a collision of thoughts, and an understanding that gives up all pretense of understanding.

It’s finding that faith, indeed, is what justifies life, and that the faith you thought you were on your way to losing has been powering up deep in the hidden places to await it’s  appointed emergence.

It’s realizing that indeed, “All is well.”

It’s weeping for love unrecognized and unknown.

It’s running toward home, where love and welcome waits, but it’s new, it’s surprising, and it’s enough.

It’s now, it’s here, it’s presence.

It’s also beyond words.   So enough.

A glimpse into Pascal’s fire?   

 

 

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Filed under Beauty, Daily Life, Faith and Art, Ideas, Poetry, Spirituality, Writing

Gratitude as Spiritual Practice

Gratitude as spiritual practice can be tricky.  It’s a bit like trying to help actors understand the difference in thinking about doing something or pretending to do something, and actually doing something.

What are we truly grateful for?

For me, gratitude is extremely powerful when you come to the place of awareness where your eyes open to the incredible mystery and blessing of actually being alive on the planet.   “But it all seems so normal,” we say, “and there’s a lot of crap anyway, right?   Yeah, I’m thankful, but life’s beating the hell out of me right now…what’s to be thankful for?  I don’t feel thankful, and yeah, it’s easy from where you sit, in that fat old world of blessing you’re sitting in.”   And we mouth the usual, “Thank you God for this or that, the meal, the family, and the church, blah, blah, blah,” and whatever else is part of usual prayer pattern and language.   All the while gratitude as I think of it is slipping out the back door of our souls.

Maybe it takes a certain kind of stopping.   A dead stop in the day.  A shift in awareness, an intentional stoppage to the grinding.  To zero in on one fact of existence that’s right in front of us…a raindrop, a streak of light, the weight of morning quiet, a series of black marks that make an intelligible word.    The patter of a loved one’s feet as they make their way toward you.   The spreading coolness of water in your chest after a long, thirsty drink.   The lift of spirit as a tenor soars across a high “G”.   Sudden news of the joyful achievement of a goal by someone you’d give your life for.   The escape valve of sobbing, that miraculous way God gave us to move the pain of living through our bodies so we can breath again.

I don’t know the answer to pain.  All the answers seem inadequate.   Gratitude as spiritual practice is no answer to the searing pain that lives on both individual and national planes.   But if the answer to pain lies somewhere in a matrix of thoughts, behaviors, attitudes, medicines, and relationships, then I would argue that at the very least, gratitude opens the doors between all those slippery factors so that light and comfort can miraculously squeeze its way in.

This very moment, what am I grateful for?  For the girl that just got up and now sits across the room from me, my companion of 30+ years.  For the first morning time of 2012, and the fact that God has not gone anywhere, and for my battered faith, still standing after a year of heart-wrenching questions.  For the Christmas tree reminding me of my kids and their recent visit.  For the love I feel in my heart, because there was once a time when I felt so very little.  For the faces of my friends flickering across the screen of my mind, for the fact that I miss them, and for the hope I have of greater things for all of them.   For the music that I’ll play this morning as I lead worship for the first time in a year, and for the angels of my imagination that will be there as they always are.  For the leftover scones from yesterday that wait for me at breakfast.   For growing courage to face what I don’t want to face.   For God’s incredible patience.   For learning how to be grateful.

I have no idea what God has in store in 2012.   But gratitude for whatever is coming is not a resolution.   It’s a commitment.

Make thanks a part of your daily bread.   Say it whenever you can, whenever it’s truly true.  And let flourishing increase…

Wishing you more peace than you can stand in 2012…

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Don’t Forget What You’re Doing…

Walking on Water: Reflections on Faith and Art. by Madeleine L'Engle

Sometimes, we forget.

We wake in the morning and hope to find our way to the desk.  We hope to hear from the manuscript in front of us that we are welcome, that our company is longed for, that the stroke of our hands will be healing and full of discovery.  But maybe the sleep cycle got us, leaving us with dull brain, especially in light of the day before, with it’s logey, unproductive hours.   Coffee doesn’t help, Facebook doesn’t help, the stale air in the house doesn’t help, and the fact that its Saturday doesn’t help.   God’s busy, too busy to bother, and something’s wrong with the browser pages so that you have to choose between waiting and killing them.   Sun’s blazing white beauty on the window sill, and all you really want to do is walk.   The desk sits there, waiting, not giving a damn what you feel, which is pretty much true of most things and people.  So you have you feelings, so what?  Will the work get done?  Will the work be served?  Will words land on the page or not?

I pick up an old copy of Walking on Water: Reflections on Faith and Art, that powerful little book by Madeleine L’Engle.   Walking on Water was probably the very first book on the slippery interaction between Christian faith and art I encountered, given to me by a friend I eventually lost due to old-fashioned neglect.   Whenever I pick up the book, I’m reminded of that loss, which means I don’t often pick it up.   But this morning, there it is, and I reach for it, and L’Engle, wonderful writer and human that she was, immediately begins to remind me of what I’m doing.

This questioning of the meaning of being, and dying, and being, is behind the telling of stories around tribal fires and night; behind the drawing of animals on the walls of caves;  the singing of melodies of love in spring, and of the death of green in autumn.  It is part of the deepest longing of the human psyche, a recurrent ache in the hearts of all God’s creatures.

–Madeleine L’Engle, Walking on Water.

L’Engle reminds me, at the very top of the book, to listen to the silence.   “When I am constantly running there is no time for being.   When there is no time for being, there is no time for listening.”  She goes on in that first chapter to give focus to that listening.   “If the work comes to the artist and says, ‘Here I am, serve me,” then the job of the artist, great or small, is to serve.”   She then quotes Jean Rhys.   “All of writing is a huge lake.   There are great rivers that feed the lake, like Tolstoy and Dostoyevsky.  And there are mere trickles, like Jean Rhys.  All that matters is feeding the lake.  I don’t matter.  The lake matters.  You must keep feeding the lake.”

It’s about listening, serving, and giving yourself over to the work.

When the work takes over, then the artist is enabled to get out of the way, not to interfere.  When the work takes over, then the artist listens.   But before he can listen, paradoxically, he must work.  Getting out of the way and listening is not something that comes easily, either in art or in prayer.

–Madeleine L’Engle, Walking on Water 

She also says, quite simply, that bad art is bad religion no matter how pious the subject.

Remembering what I’m doing….

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